| Ident. | Authors (with country if any) | Title |
|---|
| 000057 |
Leon Gunther [États-Unis] | Tuning, Intonation, and Temperament: Choosing Frequencies for Musical Notes |
| 000061 |
Gilbert J. Rose [États-Unis] | Implicit “Motion” in Non‐verbal Art: Transmission and Transformation of Affect |
| 000066 |
D. R. Brillinger [États-Unis] ; R. A. Irizarry [États-Unis] | An investigation of the second- and higher-order spectra of music |
| 000098 |
Beth Luey [États-Unis] | Joan Reardon (ed): As Always, Julia: The Letters of Julia Child & Avis DeVoto: Food, Friendship & the Making of a Masterpiece |
| 000116 |
Stephen Hinton [États-Unis] | The Emancipation of Dissonance: Schoenberg’s Two Practices of Composition |
| 000130 |
Pierre-Antoine Kremp [États-Unis] | Innovation and Selection: Symphony Orchestras and the Construction of the Musical Canon in the United States (1879–1959) |
| 000131 |
Carl B. Schmidt [États-Unis] | Francis Poulenc and Robert Shaw: A Remarkable Symbiotic Relationship |
| 000154 |
Jon Solomon [États-Unis] | The Reception of Ancient Greek Music in the Late Nineteenth Century |
| 000161 |
Mara Miller [États-Unis] | Muroji: Rearranging Art and History at a Japanese Buddhist Temple by fowler, sherry d.Daitokuji: The Visual Cultures of a Zen Monastery by levine, gregory p. a. |
| 000169 |
Robin F. Morales [États-Unis] ; Ki Moon Seong [Corée du Sud] ; Cha Soon Kim [Corée du Sud] ; Young-Woo Jin [Corée du Sud] ; Kyung-Jin Min [Corée du Sud] | Effects of auditory stimuli on the lifespan of Drosophila melanogaster |
| 000172 |
Ian Verstegen [États-Unis] | Arte e Espressione. Studi e Ricerche di Psicologia Dell'arte by argenton, alberto |
| 000188 |
Kathryn Woodard [États-Unis] | Recovering disembodied spirits: teaching movement to musicians |
| 000196 |
Leonora Saavedra [États-Unis] | Manuel M. Ponce's Chapultepec and the Conflicted Representations of a Contested Space |
| 000207 |
Cristina Magaldi [États-Unis] | Cosmopolitanism and World Music in Rio de Janeiro at the Turn of the Twentieth Century |
| 000219 |
J M Gibson [États-Unis] | The birth of the blues: how physics underlies music |
| 000226 |
Aaron Kozbelt [États-Unis] | Performance time productivity and versatility estimates for 102 classical composers |
| 000235 |
A. Tribollet [France, États-Unis] ; C. Godinot ; M. Atkinson [États-Unis] ; C. Langdon [États-Unis] | Effects of elevated pCO2 on dissolution of coral carbonates by microbial euendoliths |
| 000237 |
Kathleen Kerstetter [États-Unis] | Educational Applications of Podcasting in the Music Classroom |
| 000271 |
Philip Rupprecht [États-Unis] | “Something Slightly Indecent”: British Composers, the European Avant-garde, and National Stereotypes in the 1950s |
| 000280 |
Jonathan Kregor [États-Unis] | Stylistic Reconstructions in Liszt's Late Arrangements |
| 000286 |
Jay Keister [États-Unis] ; Jeremy L. Smith [États-Unis] | Musical ambition, cultural accreditation and the nasty side of progressive rock |
| 000314 |
Philip Alperson [États-Unis] | The Instrumentality of Music |
| 000316 |
Dmitri Tymoczko [États-Unis] | Scale Theory, Serial Theory and Voice Leading |
| 000320 |
D P Stevens [États-Unis] | Handovers and Debussy |
| 000321 |
T. A. Hall [États-Unis] | German Glide Formation and the suffix –esk |
| 000325 |
Daniel S. Mollod [États-Unis] | BERLIOZ'S SYMPHONIE FANTASTIQUE: ENRICHING PSYCHOANALYTIC VIEWS OF CREATIVITY |
| 000333 |
Marcia J. Citron [États-Unis] | ‘An honest contrivance’: Opera and Desire in ‘Moonstruck’ |
| 000339 |
W. Anthony Sheppard [États-Unis] | The Cambridge Companion to Twentieth-Century Opera |
| 000343 |
Leonora Saavedra [États-Unis] | Staging the Nation: Race, Religion, and History in Mexican Opera of the 1940s |
| 000356 |
Larson Powell [États-Unis] | Dieter Thomä: Totalität und Mitleid: Richard Wagner, Sergej Eisenstein, und unsere ethisch-ästhetische ModerneTobias Janz: Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners “Ring des Nibelungen” |
| 000358 |
Alexander Rehding [États-Unis] | Christian Thorau: Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners |
| 000365 |
Alexander Nehamas [États-Unis] | ‘ONLY IN THE CONTEMPLATION OF BEAUTY IS HUMAN LIFE WORTH LIVING’ PLATO, SYMPOSIUM 211d |
| 000381 |
Kirk Kassner [États-Unis] | Animated Listening Maps |
| 000384 |
Aaron Kozbelt [États-Unis] | A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity |
| 000462 |
Glenda Cosenza [États-Unis] | Play Me a Picture, Paint Me a Song: Integrating Music Learning with Visual Art |
| 000466 |
Graham Grindlay [États-Unis] ; David Helmbold | Modeling, analyzing, and synthesizing expressive piano performance with graphical models |
| 000472 |
David Neumeyer [États-Unis] | Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis |
| 000474 |
Claudio E. Benzecry [États-Unis, Argentine] | Curtain rising, baton falling: The politics of musical conducting in contemporary Argentina |
| 000477 |
Christopher Raphael [États-Unis] | Aligning music audio with symbolic scores using a hybrid graphical model |
| 000592 |
Joelle L. Lien [États-Unis] | The Musical Lives of Young Children |
| 000593 |
P. F. Zweifel [États-Unis] | The Mathematical Physics of Music |
| 000595 |
Doug Martin [États-Unis] | The Cambridge Companion to Debussy |
| 000611 |
Frederick Burrack [États-Unis] ; Tammy Mckenzie [États-Unis] | Enhanced Student Learning through Cross-Disciplinary Projects |
| 000717 |
Jesse Samba Wheeler [États-Unis] | Bossa Nova: The Story of the Brazilian Music that Seduced the World . By Ruy Castro, trans. Lysa Salsbury. Chicago: A Cappella, 2000. 372 pp., discography, glossary, index, photos Tropical Truth: A Story of Music & Revolution in Brazil . By Caetano Veloso, trans. Isabel de Sena. New York: Knopf, 2002. 354 pp., glossary, index, photos |
| 000732 |
Tim Carter (musicologue) [États-Unis] | Review: The Broadway Musical: A Critical and Musical Survey |
| 000755 |
Leo Beranek [États-Unis] | Music and Acoustics |
| 000760 |
Kevin P. Bartram [États-Unis] | Lessons from a Master: Using the “Bernstein Formula” in Music Classrooms |
| 000761 |
Kofi Agawu [États-Unis] | How We Got Out of Analysis, and How to Get Back In Again |
| 000771 |
Carl Leafstedt [États-Unis] | Asheville, Winter of 1943–44: Béla Bartók and North Carolina |
| 000772 |
Reinhold Brinkmann [États-Unis] | A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century |
| 000781 |
Jessica C. E. Gienow-Hecht [États-Unis] | Trumpeting Down the Walls of Jericho: The Politics of Art, Music and Emotion in German-American Relations, 1870–1920 |
| 000859 |
Colin Meek [États-Unis] ; William P. Birmingham [États-Unis] | Automatic Thematic Extractor |
| 000879 |
Nan Mcdonald [États-Unis] ; Douglas Fisher [États-Unis] | Strings Attached: A Musical Listening Unit |
| 000912 |
William Fregosi [États-Unis] | Gina. Francesco Cilea |
| 000917 |
Kirk Kassner [États-Unis] | Cooperative Learning Revisited: A Way to Address the Standards |
| 000934 |
Spencer Golub [États-Unis] | Revolutionary Acts: Amateur Theater and the Soviet State, 1917-1938. By Lynn Mally. Ithaca: Cornell University Press, 2000. Pp. 250 + illus. £29.50 Hb. |
| 000963 |
William Weber [États-Unis] | From miscellany to homogeneity in concert programming |
| 000991 |
Rena F. Subotnik [États-Unis] ; Hugo Fiorato [États-Unis] | Talent Developed: Conversations with Masters in the Arts and Sciences |
| 000A04 |
Julian F. Thayer [États-Unis] ; Meredith L. Faith [États-Unis] | A Dynamic Systems Model of Musically Induced Emotions |
| 000B03 |
Cathy Freeman [États-Unis] | The Crystallizing Experience: A Study in Musical Precocity |
| 000B12 |
Nancy H. Barry [États-Unis] ; Kimberly C. Walls [États-Unis] | Preservice Teachers' Reactions to Aural Examples of Various Styles and Genres |
| 000B13 |
Linus Chen [États-Unis] | Playing Earth Jazz |
| 000B15 |
R. Beverly Raney [États-Unis] | Music, medicine, and modus moriendi |
| 000B17 |
Lisa J. Delissio [États-Unis] | Long‐Term Perspectives on Forest Biodiversity |
| 000B22 |
Campbell O. Webb [États-Unis] | Environment as Destiny, History as Science |
| 000B23 |
Luvenia A. George [États-Unis] | Duke Ellington the Man and His Music |
| 000B87 |
Scott Bravmann [États-Unis] | J. F. Buckley, Desire, the Self, the Social Critic: The Rise of Queer Performance within the Demise of Transcendentalism (Selinsgrove: Susquehanna University Press and London: Associated University Presses, 1997, £25). Pp. 150. ISBN 1 57591 001 2. |
| 000C08 |
D. R. Brillinger [États-Unis] ; R. A. Irizarry [États-Unis] | An investigation of the second- and higher-order spectra of music |
| 000C16 |
Morris B. Holbrook [États-Unis] | The Dangers of Educational and Cultural Populism: Three Vignettes on the Problems‐of Aesthetic Insensitivity, the Pitfalls of Pandering, and the Virtues of Artistic Integrity |
| 000C29 |
David P. Benseler [États-Unis] ; Suzanne S. Moore [États-Unis] | Doctoral Degrees Granted in Foreign Languages in the United States: 1997 |
| 000C87 |
Marcia Cavell [États-Unis] | Book Review: Psychoanalysis and Philosophy |
| 000D30 |
Carl Bovill [États-Unis] | Natural and Fractal Fluctuations in Time, Noise, and Music |
| 000D39 |
Elise Boulding [États-Unis] ; Albert Carnesale [États-Unis] ; Kevin Clements [États-Unis] ; John D. Montgomery [États-Unis] | Boston Research Center for the 21st Century |
| 000D55 |
Gay L. Gullickson [États-Unis] | Raymond A. Jonas. Industry and Politics in Rural France: Peasants of the Isère, 1870–1914. Ithaca: Cornell University Press. 1994. Pp. xii, 219. $39.95 |
| 000D90 |
Mark Crook [États-Unis] | The OCLC online union catalog: An incomparable library resource |
| 000D92 |
Esther Menaker [États-Unis] ; Philip Turner ; Todd Dubose [États-Unis] ; Robert Lee Hill [États-Unis] ; Jennifer Dubose [États-Unis] ; Claude Barbre ; David Asomaning [États-Unis] ; Michael W. Mccann ; Mark J. Hanson [États-Unis] ; Akintunde E. Akinade [États-Unis] ; Jill Carlen Kirby [États-Unis] ; Bradley Clough [États-Unis] ; Alexander Ulanov [États-Unis] ; Barry Ulanov | Reviews |
| 000D99 |
Alfonso Montuori ; Ronald E. Purser [États-Unis] | Deconstructing the Lone Genius Myth: Toward a Contextual View of Creativity |
| 000E00 |
Robert Ziegler [États-Unis] | Decadence as poison: The dynamics of literary circulation in Jean Lorrain |
| 000E22 |
Raymond Arsenault [États-Unis] | Richard Niswonger. Arkansas Democratic Politics, 1896–1920. Fayetteville: University of Arkansas Press. 1990. Pp. x, 332. $29.95 |
| 000E64 |
Dean Keith Simonton [États-Unis] | Computer Content Analysis of Melodic Structure: Classical Composers and Their Compositions |
| 000E69 |
Beth Abelson Macleod [États-Unis] | “Whence Comes the Lady Tympanist?” Gender and Instrumental Musicians in America, 1853–1990 |
| 000E72 |
William L. Benzon [États-Unis] | Stages in the evolution of music |
| 000E88 |
Richard C. Starr [États-Unis] ; Jeffrey A. Zeikus [États-Unis] | UTEX—THE CULTURE COLLECTION OF ALGAE AT THE UNIVERSITY OF TEXAS AT AUSTIN 1993 LIST OF CULTURES |
| 000E93 |
Robert J. Valenza [États-Unis] | Matrices |
| 000F48 |
Bernhard Witkop [États-Unis] | Remembering Heinrich Wieland (1877–1957) portrait of an organic chemist and founder of modern biochemistry |
| 001065 |
Mark C. Gridley [États-Unis] | Clarifying Labels: Cool Jazz, West Coast and Hard Bop |
| 001117 |
Mark S. Rider [États-Unis] ; Jeanne Achterberg [États-Unis] | Effect of music-assisted imagery on neutrophils and lymphocytes |
| 001125 |
William H. Tallmadge [États-Unis] | |
| 001160 |
Frank A. Biocca [États-Unis] | The pursuit of sound: radio, perception and utopia in the early twentieth century |
| 001174 |
Joseph G. Cunningham [États-Unis] ; Rebecca S. Sterling [États-Unis] | Developmental change in the understanding of affective meaning in music |
| 001196 |
Marilyn Rice [États-Unis] | Shortcuts to Developing Giftedness in Children |
| 001202 |
Richard Eldridge [États-Unis] | Hypotheses, Criterial Claims, and Perspicuous Representations: Wittgenstein's ‘Remarks on Frazer's The Golden Bough’ |
| 001214 |
Luciano Rebay [États-Unis] | UNGARETTI FRA LE TRIO DES DAMNÉS E L'EUDÉMONISTE DI JEAN-LÉON THUILE |
| 001250 |
Nell J. Sins ; Barry Charles Hoffmans [États-Unis] | Musical Togetherness: Creating Concerts for Families |
| 001253 |
Joan B. Whitcomb [États-Unis] | Is the glass half empty or half full? |
| 001260 |
Ruth Lupul [États-Unis] | Artistry in Practice an Interview with James Buswell |
| 001280 |
Jared Diamond [États-Unis] | Publications: Variations on a theme |
| 001305 |
Paul R. Halmos [États-Unis] | A college education |
| 001387 |
Mary Louise Serafine [États-Unis] | Cognition in music |
| 001410 |
Kathleen W. Edmonson [États-Unis] | Just what we needed |
| 001411 |
Burton A. Zipser [États-Unis] | How great is pop? |
| 001412 |
George E. Wilson [États-Unis] | Fruits of our labor |
| 001417 |
Roland Nadeau [États-Unis] | Critical Questions: On Music and Letters, Culture and Biography, 1940–1980 |
| 001422 |
Ronald C. Teare [États-Unis] | Above all, be discreet! |
| 001479 |
Howard Lee Nostrand [États-Unis] | Toward Community‐Wide Interest in Other Peoples |
| 001489 |
Thomas Brawley [États-Unis] | Piano Duet Repertoire: Music Originally Written for One Piano, Four Hands |
| 001505 |
Daniel Runyon [États-Unis] | A Buttleman Portrait |
| 001523 |
William H. Pritchard [États-Unis] | ENTERTAINING AMIS |
| 001528 |
Dean Keith Simonton [États-Unis] | Thematic fame and melodic originality in classical music: A multivariate computer‐content analysis |
| 001534 |
Alpha C. Mayfield [États-Unis] ; George W. Breakwell [États-Unis] ; Tipton M. Westfall | Opera and education |
| 001538 |
William M. Anderson [États-Unis] | Multicultural Awareness: Teaching Musics of the World, a Renewed Commitment |
| 001543 |
Vera L. Zolberg [États-Unis] | Displayed Art and Performed Music: Selective Innovation and the Structure of Artistic Media |
| 001580 |
Janice C. Livingston [États-Unis] | Music for the Childbearing Family |
| 001581 |
Ruth Zinar [États-Unis] | Music for Listeners |
| 001582 |
Thomas Brosh [États-Unis] | Music for Analysis: Examples from the Common Practice Period and the Twentieth Century |
| 001615 |
Robert Bartlett Haas [États-Unis] ; Arthur Lerner [États-Unis] | A dialogue on creativity |
| 001620 |
Anthony B. Wolff [États-Unis] | Problems of representation in musical computing |
| 001664 |
Warren F. Prince [États-Unis] | Measuring Discrimination of Complex Musical Events |
| 001671 |
Lawrence Starr [États-Unis] | Educating the Ear: Strategies for Teaching Twentieth-Century Music Analysis |
| 001672 |
Robert L. Mitchell [États-Unis] | Charles Cros and euterpe |
| 001698 |
Gayla Snell [États-Unis] | The troubadour tradition |
| 001701 |
Madeleine Cain [États-Unis] | Suggested piano music |
| 001704 |
John H. Stehn [États-Unis] | Overlooked |
| 001732 |
Truman Bullard [États-Unis] | The New Oxford History of Music, Volume X: The Modern Age, 1890–1960 |
| 001742 |
Robert Kauffman [États-Unis] | How Musical is Man? |
| 001745 |
Mary Enda Tookey [États-Unis] | Developing Creative Thinking Through an Interdisciplinary Curriculum |
| 001770 |
Virginia R. Brubaker [États-Unis] | Richard Strauss: A Critical Commentary on His Life and Works, Volume Three |
| 001806 |
Henry Lasker [États-Unis] | Why Can't They Compose? |
| 001807 |
Roland Nadeau [États-Unis] | The Well-Prepared Piano |
| 001810 |
Cecil Isaac [États-Unis] | The Beethoven Companion |
| 001843 |
Henry Leland [États-Unis] | The Music Forum, Volume II |
| 001849 |
Homer Ulrich [États-Unis] | Modern French Music from Fauré to Boulez |
| 001852 |
Burnet C. Tuthill [États-Unis] | Concertos for Clarinet: Annotated Listings |
| 001877 |
Hugh Mullins [États-Unis] | The Art of Listening: Developing Musical Perception |
| 001883 |
H. Earle Johnson [États-Unis] | Musical Interests of Certain American Literary and Political Figures |
| 001885 |
Allan Shields [États-Unis] | Critic Past Critic Present |
| 001887 |
Irving Louis Horowitz [États-Unis] ; Neal R. Goodman [États-Unis] ; Howard S. Becker [États-Unis] ; Richard A. Peterson [États-Unis] | Book reviews |
| 001903 |
Stewart L. Gordon [États-Unis] | The Gallic Muse |
| 001915 |
Sidney Fox [États-Unis] | From Rock to Bach (youth music on our terms) |
| 001933 |
Marvin Adler [États-Unis] | Twentieth Century Music |
| 001943 |
Dorothy M. Wills [États-Unis] | Insights and Applications: The Professional Role and Status of Music Educators in the United States |
| 001946 |
Sue Ray [États-Unis] | Demonstration and Research Program for Teaching Young String Players |
| 001973 |
Ylda Novik [États-Unis] | Schooling Musicians in Eastern Europe |
| 001975 |
Rachmael Harry Weinstock [États-Unis] | Chamber Music (Second Edition) |
| 001983 |
Nicholas Temperley [États-Unis] | ‘RAYMOND AND AGNES’ |
| 001A04 |
Donald L. Bisdorf [États-Unis] | The 371 Chorales of Johann Sebastian Bach |
| 001A14 |
Wayne Barlow [États-Unis] | Music in the Twentieth Century |
| 001A18 |
George J. Buelow [États-Unis] | Essays on Schubert |
| 001A22 |
William W. Austin [États-Unis] | Carl Orff |
| 001A38 |
Lyle C. Merriman [États-Unis] | Unaccompanied Woodwind Solos |
| 001A40 |
David L. Burrows [États-Unis] | The Four Ages of Music |
| 001A49 |
Rose Marie Grentzer [États-Unis] | Exploring Music With Children. |
| 001A52 |
Fred Fox [États-Unis] | Contemporary Harmony. |
| 001A53 |
Francis M. Forster [États-Unis] | Conditioning in sensory evoked seizures |
| 001B11 |
Lloyd C. Mitchell [États-Unis] | The Preparation for Teachers of Related Arts Courses |
| 001B16 |
Mary E. English [États-Unis] | Preparation for Music Instruction |
| 001B18 |
Paul L. Frank [États-Unis] | Orff and Bresgen as Music Educators |
| 001B20 |
Joseph L. Doran [États-Unis] | Modern Music and the Music Educator |
| 001B23 |
A. W. Hodgkinson [États-Unis] ; Dorothy B. Jones [États-Unis] ; Julian Hochberg [États-Unis] ; Jeanne Chall [États-Unis] ; A. W. Vandermeer [États-Unis] ; Philip Lewis [États-Unis] | Book Reviews |
| 001B27 |
S. J. London [États-Unis] | The Ecology of Aging in Musicians |
| 001B91 |
Paul Henry Lang [États-Unis] | EDITORIAL |
| 001B94 |
Stanley Chapple [États-Unis] | The Study of Music through Performance |
| 001B97 |
Burnet C. Tuthill [États-Unis] | The Concertos for Clarinet |
| 001C42 |
Paul Henry Lang [États-Unis] | EDITORIAL |
| 001C96 |
Janet Russell Owens [États-Unis] | When Should Piano Lessons Begin? |
| 001D22 |
Paul Henry Lang [États-Unis] | EDITORIAL |
| 001D23 |
Paul Henry Lang [États-Unis] | EDITORIAL |
| 001D45 |
John Satterfield [États-Unis] | The Defining of Jazz |
| 001D53 |
Claracy L. M. Waldrop [États-Unis] | Community Symphony Society Serves Music Education |
| 001D56 |
George H. Kyme [États-Unis] | Are Musical Tastes Indicative of Musical Capacity? |
| 001D72 |
Charles W. Walton [États-Unis] | Keyboard Harmony for the Pianist |
| 001E52 |
Hymen Alpern [États-Unis] | How Can the School Meet Needs of Gifted and Superior Students? |
| 001E61 |
Paul Henry Lang [États-Unis] | REVIEWS OF RECORDS |
| 001E78 |
Frederick C. Gruber [États-Unis] | Why Study Music? |
| 001E79 |
Leona Watzman [États-Unis] | What's in a Song? |
| 001F97 |
Edward N. Waters [États-Unis] | QUARTERLY BOOK-LIST |
| 002004 |
Paul Henry Lang [États-Unis] | EDITORIAL |
| 002029 |
Edward N. Waters [États-Unis] | QUARTERLY - BOOK-LIST |
| 002044 |
Edward N. Waters [États-Unis] | QUARTERLY BOOK-LIST |
| 002098 |
Edward N. Waters [États-Unis] | QUARTERLY BOOK-LIST |
| 002130 |
Charles L. Scanlon [États-Unis] | The Purpose of Graded Texts |
| 002131 |
Frank R. Arnold [États-Unis] | More Benedictine in the French Class |
| 002162 |
Harold F. Hetrick [États-Unis] | Good Neighbors Through Music |
| 002182 |
Edward N. Waters [États-Unis] | QUARTERLY BOOK-LIST |
| 002210 |
Edward N. Waters [États-Unis] | QUARTERLY BOOK-LIST |
| 002220 |
Frank R. Arnold [États-Unis] | You Can Wake Them Up in French |
| 002223 |
Stowell C. Goding [États-Unis] | Neglected Treasures? |
| 002225 |
Albert Warner Dowling [États-Unis] | La Dernière Classe: A Suggested Plan for the Last French Class |
| 002287 |
Edward N. Waters [États-Unis] | QUARTERLY BOOK-LIST |
| 002293 |
Harry Allen Feldman [États-Unis] | You Don't Have to Practice Scales |
| 002306 |
J. M. Coopersimth [États-Unis] | THE LIBRETTO OF HANDEL'S ‘JUPITER IN ARGOS’ |
| 002316 |
Edward N. Waters [États-Unis] | QUARTERLY BOOK-LIST |
| 002351 |
Claire J. Noyes [États-Unis] | College Language and New Objectives |
| 002396 |
Ernest Bloch [États-Unis] | MAN AND MUSIC |
| 002440 |
Lenora Coffin [États-Unis] | Study Helps for Developing “Discriminating Listening” Part I Ability to Recognize Different Styles in Instrumental Music |
| 002508 |
Paul Popenoe [États-Unis] | THE INHERITANCE OF ARTISTIC TALENTS |
